This photo is of an outlet mall as seen from the entrance area, shot from an elevated position which happened to be our motel room that evening in Gettysburg, Pennsylvania. We were there the first week of July to commemorate the 150th anniversary of the horrific Civil War battle of 1863 and to honor those of both sides who were involved and felt the pain of that war.
Normal Method: Study the area and the timing of lighting just following sunset. The ideal balance is a rich dark sky and buildings still lit enough to easily distinguish. Generally, lighting is added as needed in a series of photos combined into one. When that is not on the agenda, lights are positioned and turned on to best light the buildings and help create an inviting feeling.
Shot impromptu from a motel window, this post sunset photograph had no special staging of lights. We went with what was there to make the best of "as is".
This after sunset photo was shot on the spur of the moment with no special staging or lighting. The most critical factor in getting an acceptable image was timing. If this photo had been part of an advertisement assignment for the outlets, more of the mall and less of the entrance way than shown here would be emphasized. This photo is an exercise in post sunset imaging.
The camera should have a tripod. If not, as is this case, support on a window ledge was used. You use what is steady and provides a motionless support when the shutter is clicked.
1. Determine by eye when you should take the photo.
2. Set the camera to manual! Otherwise, the camera will try to use automatic settings to give a daylight-look exposure. That means a long time for the shutter to be open, a grainy photo, likely a blurred photo from camera motion. The entire evening effect will be lost!
3. On Manual, choose a lens opening or aperture. For this shot, I used F/5.6.
4. Try a shutter speed and peek at the LCD to see what you have. I used 1/40 sec. A shot at 1/25 second was too bright to look like a true evening shot. Faster than 1/40 and the photo was too dark and too dark for the lady to be walking her baby.
5. ISO (digital "film speed") was 500 for this shot.(Keep in mind that with some cameras ISO above 800 begins to produce grainy and speckled photos.)
6. Rather than trying to figure out the numbers, begin within the range of numbers suggested and use the lcd viewer to see what was shot and adjust here and there.
- Larger number aperture means less light, smaller opening
- Faster shutter means less light; slower shutter means more light
It is not so difficult, yeah, that is me saying that. Try it if you want and experiment with the numbers for shutter, aperture and ISO speed.. If you try doing your own, I want your photos to be good ones. Feel free to contact Thomas Haynes Commercial Photography if you have questions. We will help as we are able.
NOW..to answer the question:
WHY DO I POST "HOW-TO TAKE AN EVENING PHOTO" WHEN I WANT YOUR BUSINESS? This is it: If you have the time, equipment and inclination to do this work, I say go for it! Practice and get good at it. You will be more selective in what photos make it to the net or print and your marketing will take a giant step forward. The better the photography, the better it is for all of us and you should experience improvement in client attraction. Simply expanding the idea that pro level photography is worth it can be a grand accomplishment in my working area.
Many of the readers of this commercial photo blog will not want to try doing the photos on their own. Many will not have the desire to spend time with a camera when other business needs are calling. If you want effective marketing photography, get in touch and we will talk it over. You get the kind of photos proven to help sales and brand-name recognition. It is a win win for both of us.